Violinist Erica Dicker works in a wide variety of musical settings, bridging the realms of orchestral performance and experimental improvisation. Erica contributes her talents to various orchestras and contemporary music ensembles across the United States, serving as a substitute for the Grand Rapids Symphony and ICE (International Contemporary Ensemble). Erica is concertmaster of the Tri-Centric Orchestra, an ensemble initially founded to premiere and record the operas of Anthony Braxton. Erica has performed with Braxton’s Falling River Quartet and Diamond Curtain Wall Quartet at festivals in Belgium, Germany, Italy, Macedonia, Poland, and Turkey and appeared with the 12+1-tet at the 2012 Venice Biennale. Erica also writes about and curates performances of Braxton’s work, most recently for ICE at the 2017 Ojai Music Festival.  

A proponent of new music, Erica is a founding member of the contemporary chamber music collective Till By Turning as well as Vaster Than Empires, an electro-acoustic collaboration with composer and sound artist Paul Schuette and percussionist Allen Otte. She has premiered works by many composers including pieces for solo violin written for her by Olivia Block, Turkar Gasimzada, Ryan Ingebritsen, and Katherine Young. Erica also writes and performs her own music, exploring the idiomatic modalities and textures of her instrument. Taking Auspices, an album of Erica’s improvised music, is available online via Tubapede Records and will be released as a limited-edition vinyl LP in Fall 2017.   

Erica earned degrees from the Oberlin Conservatory of Music (BM), the University of Minnesota (MM), and the University of Cincinnati College-Conservatory of Music (DMA). Her primary teachers include Gabriel Pegis, Marilyn McDonald, and Jorja Fleezanis.




French-American pianist Julia Den Boer is a strong advocate of contemporary music. Based in New York city, she performs internationally as a soloist and chamber musician and has commissioned and premiered numerous works. She is committed to exploring and pushing her instrument’s boundaries through close collaboration with composers and has had the opportunity to work with some of the most prominent composers of our time such as Heinz Holliger, Philippe Leroux, Martin Matalon and Kaija Saariaho.

Julia is a recipient of the Solti Foundation award, was awarded the Prix Mention Speciale Maurice Ohana at the 2012 International Orleans Competition, and won the ninth annual Mikhashoff Trust Fund for New Music Pianist/Composer Commissioning Project with composer Zosha Di Castri.

Recent and upcoming performances include solo and ensemble performances at the Festival d'Automne in Paris, Unerhörte Musik in Berlin, the CMC in Toronto, the Tectonics Festival in Glasgow, the Banff Center, Miller Theater in NYC, the North Carolina New Music Initiative, the SWR in Freiburg, New Music Concerts in Toronto, the MATA Festival, the International Computer Music Conference, the Klangspuren Festival in Austria, Poets Out Loud at Lincoln Center, and Manifeste at IRCAM.

Her performances have been broadcasted on Q2, CBC Radio 2, the SWR and France Musique.

Julia is a native of Lyon, France. She holds a Bachelor of Music from McGill University where she studied with Sara Laimon and holds a Master and Doctorate of Musical Arts from SUNY Stony Brook University where she studied under the mentorship of  Gilbert Kalish.




Originally from Tennessee, John Gattis is a horn player and educator based in New York City. Fluent in a variety of musical styles, John is active as a orchestral and chamber musician. He has performed with groups such as Tilt Brass, International Contemporary Ensemble (ICE), Argento Chamber Ensemble, Talea Ensemble, and Contemporaneous.

As an advocate of new music he has given dozens of world premieres by composers such as Brian Ferneyhough, John Zorn, and Olga Neuwirth. In 2016 he performed the solo horn movement in the American premiere of Karlheinz Stockhausen's Klang.

John attended the Cleveland Institute of Music (BM) as well as SUNY Stony Brook (MM and DMA).